To come back to yet another one of Balassa’s works is quite the treat. I’ve already had a chance in Parts 1 and 2 to establish his many traits. His fans know him to be different yet consistently top notch in quality. In addition, he’s been getting bolder over time with his creations. Featuring lustful displays of orgies, group sex and steamy girl-on-girl action (that too, right out in the rain!) again and again.
We anticipate him to be rising to greater heights and have our eyes peeled for what may be in store. Will this trend take him into the kinkier realms of futa and other hentai-esque imagery? We can only ponder, but rest assured they’re going to be great! In this concluding critique, I want to wrap up my thoughts on this star and why he’s had such an impact on the 3DX viewers.
This seemed like just the piece to establish my love for his art. Balassa may not appeal to the far ends of the fetish spectrum, but he’s not afraid of a challenge. His ability to use exciting new elements in his works is nothing short of impressive. His peers have used rain and rocks in their composition countless times, but sand is whole other beast altogether.
Unlike other rocky surfaces that artists turn to for diffusion of light and shadows, to realistically integrate sand into the scene you would have to consider its volatility. You just can’t have a pristine piece showing off your smooth renders in the sand. But Balassa’s done it! The realism of his scene clashes with the feasibility of it all. It may not be realistic contextually, but in our fantasies this is what it would look like. A harem of veiled exotic angels clad in nothing but gold, velvet and the shimmering glitter of sand grains. The backdrop and makeshift tent prop is so simple to keep your eyes ogling the contours of these seemingly Arabian beauties.
In the end, that’s exactly where Balassa’s true appeal lies: his constant ability to surprise us when we thought we’d seen it all. Even if we had, we hadn’t seen it like this! A brief escape into his Tumblr and hi-res archives makes it evident: Balassa is better.
J
April 27, 2017This is about veiled expression, exploitation and irrelevance, resources and time, opulence and subterfuge, hot air hot bodies hot sand, artistic talent and editorial inequality. And snark… at beholder or beholdee… left toooo… where was i going with this?